flash

Chapter 3 - The Secret on the Seventh Floor

I tried to forget his warning. Truly, I did. But the problem with telling a w

oman from South Philadelphia not to look behind a curtain is that she will spend every waking hour thinking about the fabric.

On Tuesday afternoon, Gaetano left for his noon meeting—the one no one spoke about. Tommaso Falcone was down at the navy yard dealing with a labor dispute, and Mrs. Lima was asleep at her desk after a heavy lunch.

I took the small black button Renato Marchetti had dropped and held it between my fingers. The backing of the button wasn't plastic; it was stamped with a small, stylized logo of a shipping company: Veraldo & Sons.

Osvaldo’s old operation, I thought. Why was Renato carrying his gear?

I walked out to the elevator bank, my heart drumming a frantic rhythm against my ribs. I pressed the button. The elevator arrived with a soft, golden chime. I stepped inside, pulled the maintenance key Mrs. Lima kept in the top drawer of her desk, and inserted it into the secondary slot.

I pressed the number 7.

The elevator descended smoothly, but the air felt heavier with every floor we passed. When the doors slid open, there were no pale carpets or cream-colored marble.

The 7th floor was raw concrete, lit by flickering fluorescent tubes that buzzed like angry hornets. The air smelled of damp earth, old paper, and something metallic—like iron filings or dried blood.

I stepped out onto the concrete, my low heels clicking softly. The floor was filled with rows of old green filing cabinets, stretching back into the darkness. I walked down the center aisle, my eyes searching the labels.

1994. 1998. 2002.

These weren't corporate files. These were the old family ledgers—the ones from the days when Gaetano’s father ruled the city with an iron pipe.

I stopped at a crate marked Pellegrini.

My breath hitched. My father’s name. He had been an accountant for a small construction firm before he died of a sudden stroke five years ago. We had always assumed he was just a casualty of stress and bad luck.

I reached out to open the crate, but a sudden sound from the darkness made me freeze.

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"I told you the girl was curious, Osvaldo."

Renato Marchetti’s voice drifted from the end of the corridor, followed by the distinct scratch of a match.

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