Chapter 12 - The Threshold of ExposureBy the night of the grand opening, downtown Portland was buzzing with high-society art critics, flash photography, and a heavy, electric atmosphere. The gallery, grandly named The Threshold, was packed to capacity.

I stood near the back corner, dressed in a sharp charcoal suit that Lily had practically forced me to buy, holding a cup of sparkling water I had no intention of drinking. Across the room, Lily was speaking with a prominent art critic from the Seattle Times, looking breathtaking in a deep indigo dress that seemed to pull every eye in the room toward her.
My phone vibrated sharply in my pocket. I pulled it out, expecting a logistics text from the gallery manager. Instead, it was an unknown number with a photo attachment.
I tapped it open. My breath caught in my throat.
It was a screenshot of a text thread between Noah and an unknown mutual friend, dated just an hour ago:
“Is he going to be there tonight?” — Noah. “Ethan? Yeah, he’s with her.” “Good. Tell him I’m coming. And I’m bringing someone who wants to talk about how her gallery was funded.”
My blood turned to ice water. How her gallery was funded? What was Noah talking about? Lily’s gallery was funded entirely by her own savings and a small bank loan she took out after quitting her day job.
Before I could process the ominous text, the heavy glass doors at the front of the gallery swung open, and the ambient noise of the room seemed to drop by half.
May you like
Noah walked in. And he wasn't alone.
Striding right beside him was Julian Vance—the slick art collector who had tried to buy Lily’s collection months ago—smirking like a cat that had just cornered a room full of canaries.
Related Stories